Studies
Market Summary
Performative provenance is the dominant pricing variable across all three datasets
Irsay's jazz instruments, Gilmour's Pink Floyd guitars, and Cobain's Teen Spirit Mustang share one trait: direct, documented use at a culturally defining moment. In every study, these lots outperform the broader sale by 3-10x. The pattern holds across artists, decades, and auction houses.
Repeat-sale data proves these assets appreciate
The Cobain Mustang gained 52% in 4 years. The Cobain cardigan gained 143% in 4 years. Gilmour's Black Strat went from $3.975M to $14.55M in 7 years via Irsay. These are not speculative gains. They are documented, auction-verified appreciation on identifiable assets.
The demand base is global and structural
The Gilmour sale drew bidders from 66 countries with 100% sell-through. The Irsay sale realised $84M in a single evening. Cobain items have sold at premium across three different auction houses over 11 years. This is not niche collecting. It is a functioning asset class.
Traditional comps consistently underprice cultural assets
Across all 97 tracked lots, the median multiplier is 5.2x. Auction houses set estimates based on comparable sales of similar objects. The market pays for the story, not the object. This structural mispricing is the opportunity the DIG IQ methodology captures.
Cross-Study: Multiplier vs. Realised Price
Each bubble is a lot. X-axis = how far above low estimate it sold. Y-axis = absolute realised price. Color = study. Bubble size = multiplier intensity.
Category Breakdown
Realised value by instrument/object category, aggregated across all studies.
Estimate Smashers
The 10 lots across all three studies that most dramatically exceeded pre-sale low estimates. These are the clearest evidence of structural mispricing in the entertainment memorabilia market.
| # | Lot | Low Est. | Realised | Multiplier | Study |
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Full Index: All Tracked Lots
| Lot | Study | Year | House | Realised | Est. Delta |
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